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  • El realismo conceptual de ambientes en realidad virtual: de la contemplación a la inmersión
    DOMINGUES, DIANA MARIA G. El realismo conceptual de ambientes en realidad virtual: de la contemplación a la inmersión DeSignis 10 (2006): 10-12.
  • Ambientes Interativos e Imersivos
    DOMINGUES, DIANA MARIA G. Ambientes Interativos e Imersivos Database Of Virtual Art (2004).
  • Chromatic Shifts - video
    Chromatic Shifts is a dynamic light installation that explores perceptual changes of shape at a cognitive level. Rhythmic pulses of color illuminate ambiguous and “impossible” shapes as they appear to shift between two and three dimensions.
  • Arslab
  • Os ambientes interativos como mediadores na construção de duplos digitais.
    Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.
  • Laboratory Life
    Laboratory Life (For Oryx and Crake) is a series of over-layered photographs taken at scientific laboratories in Europe ( the European Molecular Biology Laboratory (EMBL) in Rome, the Max Planck Institute in Dresden, and a biophysics lab at Imperial
  • EVE
    Eve is about the process of how identity is generated. It is an ongoing attempt to reclaim and deconstruct identity. It is about the state of being and the sense of time. The piece is generated in realtime to create a dynamic hybrid image. This
  • Sonic Antarctica
    „Sonic Antarctica“ features natural and industrial field recordings, sonifications and audifications of science data and interviews with weather and climate scientists. The areas recorded include: the „Dry Valleys“ (77°30’S 163°00’E) on the shore of
  • 4 Space -
    In this interactive installation, three viewers are able to manipulate components of a computer-generated image using multi-axis joysticks positioned in front of a projection screen. The image is a half octagonal cylinder that is divided into three
  • Preservation of Digital Art, Theory and Practice
    Serexhe Bernhard. Preservation of Digital Art, Theory and Practice. ISBN 978-3-7091-1469-8, EU program INTERREG IV Oberrhein: Ambra V, Vienna, 2012.
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