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  • 1999 Fidena, Bochum: Liquid Views , MARS-Field, Murmuring Fields
  • Ren Fah - is a media-artist and researcher working in the field of Cultural Studies/ Critical Theory and Analysis. He received his PhD. in 2011 from the University of Applied Arts, Vienna. Within the frame of his PhD. project he conducted research
  • Fleischmann, Monika and Wolfgang Strauss. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Extended Performance – Virtuelle Bühne, Selbstrepräsentanz und Interaktion. Kaleidoskopien, Theatralität, Performance, Medialität.
  • Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing
  • Cashill, Robert. Virtual World Theatre Crafts International TCI 29, no. 2 (February 1995): 44.
  • Laurel, Brenda. Computers as Theatre. Amsterdam, NL: Addison-Wesely Longman, 1991.
  • Reaney, Mark. Virtual Reality and the Theatre: Immersion in Virtual Worlds Digital Creativity 10, no. 3 (1999): 183-188.
  • My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • Karina Smigla-Bobinski works as intermedia artist with analogue and digital media. She produces and collaborates on projects ranging from kinetic sculptures, interactiveinstallations, art interventions, featuring mixed reality and interactive art
  • Boredomresearch. Theatre of Restless Automata review on boredomresearchs' solo exhibition at Peterborough Digital Arts furtherfield.org website (2006).