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The film Continuous Sound and Image Moments (1966) was projected onto a live performance of professional female mud wrestlers.

Sequences of images were created that freely interpreted the themes of Peter Gabriel's song cycle to provide a continuous visual accompaniment to the live stage performance (Genesis world tour 1975). These slides were projected onto three screens

A helium-inflated pig was specially made for the cover of Pink Floyd's Animals album. It was flown over the Battersea Power Station for the photograph, but accidentaly got free and flew many kilometers over London and landed in the countryside -

This sculpture enabled beams of light to be dynamically moved over Genesis's entire stage as well as out into the auditorium. It was constituted by six large mirrors which were all pivoted on two axes respectively and could be rotated in all

A large air-inflated teardrop hung from a crane and proclaimed the theme of the festival as well as the Javaphile performance Tearfall.

Faced with the occasion to show Points of View 16 years after its creation, it became clear that the restitution of the original hardware and software would be much more difficult than simply reconstructing and reprogramming the complete work on a

"In a room with large-screen walls, where animated virtual players hold different musical instruments, the visitor, wearing data gloves, conducts a musical performance, leading the tempo with one hand and, with the other, directing aspects of the

Jaron Lanier, the musician and scientist who coined the term "Virtual Reality" brings the two worlds of his life, music and technology, together in a revolutionary new form of live performance. Jaron's group, Chromatophoria, combines deep use

To commemorate the 1906 San Francisco Earthquake, Ballet Mori engaged the Earth as a living medium and a conductor for dance. In this improvisational performance, SF Ballet Principal Dancer Muriel Maffre responded to a musical composition modulated