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Yunchul Kim
Kim Yunchal, born 1970, studied music and composition at Chugye University for the Arts, continued his studies at the art academy for media in Cologne. He is a musician, perfomer and artist.
RECIPROCITY
2017
Diptych: laser-cut and digital print on plexiglass dim: 200 x 135 cm The hanging objects present microscopic image of a carbon substance (up) and its digital mapping (transcription) into a reciprocal space (down) by the use of digital fast Fourier
RobotPHONE
2001
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2001
RobotPHONE is a Robotic User Interface (RUI) that uses robots as physical avatars for interpersonal communication. Using RobotPHONE, users in remote locations can communicate shapes and motion with each other. For a long time, robots have
Velvet-Transcode
2010
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2010
video
Velvet-Transcode is a work of electronic art conceived to perform a "digital artistic study" of the milestone album The Velvet Underground & Nico. The record has been disbanded and reconstituted as a digital form made up of audio tracks fragments,
Infinite Line
2014
The Infinite Line proposes new modes of spectatorship in the performance of poetry. In the tradition of Oulipo, the ‘workshop of potential literature', this interactive installation gives visitors the opportunity to recombine the poetic ensemble of
How do you translate a text that is not a text? How do you perform a score that is not a score?
2013
Event: How do you translate a text that is not a text? How do you perform a score that is not a score?Institution: Townhouse GalleryComment:
Sensing the links- Creating art work with new media and dance
2009
Poulin, Marie-Claude. Sensing the links- Creating art work with new media and dance In Program to Perform- Exploring Dance and New Media, edited by I. Berg and A. Hansen, 86-92. Oslo: Oslo School of Architecture and Design and Dance Information
BOLGERI & MARÍN
“Our creative processes emerge from affections and expand” BOLGERI & MARÍN is an art duo formed by Carla Bolgeri and Francisco Marín that lives between Chile and Italy where they research and produce in the field of performance, music and
Pneutube
1968
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1968
A large transparent inflatable tube the public could enter and which, depending on the context of presentation, functioned as an expanded cinema and performance environment, playful interactive space and architectual corridor.
Pneu-Written
1969
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1969
Elements of the MovieMovie (1966) were merged with a performance scenography made by John Lantham.
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