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  • Invisible Cantilever -
    This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
  • Difference Engine #3 -
    The Difference Engine #3 uses the architecture of the ZKM Media Museum as a 3D template and the visitors to the museum as the interface. It is an interactive, multi-user, sculpture about surveillance, voyeurism, digital absorption and spiritual
  • ARTEC 97
    The theme concept of the Biennale is 'THE GARDEN: The Successors to Eden', the Biennale proposed the idea of a 'meta-garden': the environment of the near future and unconscious landscapes concealed in close and familiar spaces. The main contents of
  • Soil and Protoplasm: The Hylozoic Ground Project
    Armstrong, Rachel and Philip Beesley. Soil and Protoplasm: The Hylozoic Ground Project ARCHITECTURAL DESIGN: PROTOCELL ARCHITECTURE 81, no. 2 (2011): 78-89.
  • Soil and Protoplasm: The Hylozoic Ground Project
    Armstrong, Rachel and Philip Beesley. Soil and Protoplasm: The Hylozoic Ground Project ARCHITECTURAL DESIGN: PROTOCELL ARCHITECTURE 81, no. 2 (2011): 78-89.
  • Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking
    Mikami, Seiko and Tomohiro Itami. Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking. Tokyo, Japan: Artlab, 1996.
  • n o w h e r e - ein welt raum spiel -
    in cooperation with: Gerald Nestler (Research), Christof Cargnelli (Sound), Oliver Irschitz (Production) --- I treat Wittgenstein's propositions more like axioms. When I negate the axiom, 'We make ourselves a picture of the world'
  • Sensing the links- Creating art work with new media and dance
    Poulin, Marie-Claude. Sensing the links- Creating art work with new media and dance In Program to Perform- Exploring Dance and New Media, edited by I. Berg and A. Hansen, 86-92. Oslo: Oslo School of Architecture and Design and Dance Information
  • The Living Room -
    Gallery based distributed interactive digital video projection environment Multiple rooms, each approximately 12 x 10 x 6 metres 4 large scale projections, black and white and colour, multi-channel interactive sound Produced by The Film and
  • Gabriela Aceves Sepúlveda
    Dr. Gabriela Aceves Sepúlveda is an interdisciplinary media artist and cultural historian with a research focus in Latin American media art history. She is Associate Professor in the School of Interactive Arts and Technology at Simon Fraser
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