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  • “Kryophone“ is a sonorous and luminous interactive sculpture made of ice. This interactive sculpture is composed with ice and reacts to the electrostatic touch of bodies. Sounds and light evolve according to the intensity of electrostatic contact.
  • Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
  • Eduardo Kacsounding out the non-binaryThe Archive of Digital Art, 06/2022Text by Carla Zamora and Samantha Mealing, Interview on Time Capsule by Samantha Mealing,Rachel de Joode and Herbert Gmoser.“In the course of pursuing Bio Art we have
  • Willet, Jennifer and Shawn Bailey. BIOTEKNICA: Organic Tissue Prototypes The State of the Real: Aesthetics in the Digital Age, Damian Sutton, Susan Brind and Ray McKenzie, Edts. (2006): 125-134.
  • Beesley, Philip and Sarah Bonnemaison, ed. ON GROWTH AND FORM: ORGANIC ARCHITECTURE AND BEYOND. Halifax: TUNS Press and Riverside Architectural Press, 2008.
  • Benayoun, M.. The Nervous Breakdown of the Global Body, an Organic Model of the Connected World Futur en Seine 2009 (2009).
  • "My artistic practice is characterised by an in depth engagement with process, scientific methodologies and the nature of experiment. Here 'experiment' refers both to the act of acquiring knowledge and information through testing scenarios, and to
  • Benayoun, M.. The Nervous Breakdown of the Global Body, An organic model of the connected world http://www.academia.edu/35783157/The_Nervous_Breakdown_of_the_Global_Body_An_organic_model_of_the_connected_world.
  • Berlot, Uršula. Bio-organic Systems. In: MUNZ, Thomas (ed.). Transmediale 08: Conspire: Festival for Art and Digital Culture Berlin Berlin: Kulturprojekte Berlin GmbH (2008).
  • .. explore the potential of the human body to be an audio-visual instrument ..