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Andreas Zingerle
Andreas Zingerle is a media artist, designer, lecturer and researcher from Austria. He received his PhD from the University of Art and Design Linz (Austria) researching topics such as Internet crime, fraud and scam, vigilante counter-movements and
Subasta de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog)
2020
GALERIA AZUR. Subasta de Grandes Maestros PINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog). Buenos Aires: GALERIA AZUR, 2020.
Subasta de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog)
2020
GALERIA AZUR. Subasta de Grandes Maestros PINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog). Buenos Aires: GALERIA AZUR, 2020.
Subasta de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog)
2020
GALERIA AZUR. Subasta de Grandes Maestros PINTURA | OBRA GRÁFICA | ESCULTURA (Auction Catalog). Buenos Aires: GALERIA AZUR, 2020.
Subasta de Grandes MaestrosPINTURA | OBRA GRÁFICA | ESCULTURA (September)
2020
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2020
Sold at Auction
Future Cinema
2002
FUTURE CINEMA The Cinematic Imaginary after Film Curated by Jeffrey Shaw and Peter Weibel 16 November 2002 - 30 March 2003 ZKM Karlsruhe | atria 8 & 9, Media Theater [Admission :: EUR 5,10/3,10] Press conference : 14. November, 11am,
Cybertext Yearbook 2002-03
2003
Markku Eskelinen and Raine Koskimaa, ed. Cybertext Yearbook 2002-03. Finland: University of Jyvaskyla, 2003.
Brian Mackern
Brian Mackern (Uruguay) is a new media artist, developer and designer of digital and hybrid net based art projects since 1995. Musician, composer and developer of autogenerative and reactive sound visual structures and environments. His art practice
Neue Technologien und gestalterische Kreativiät
2001
Eshaq, Ahmad Rafi Mohamed. Neue Technologien und gestalterische Kreativiät In Takeover - wer macht die Kunst von morgen / Who´s Doing the Art of Tomorrow, edited by Gerfried Stocker and Christine Schöpf, Vienna and New York. : Springer, 2001.
Building the Bioluminescent Bunny
2001
Eskin, Blake. Building the Bioluminescent Bunny ARTnews 100, no. 1 (2001): 118-119.
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