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  • It is 1919. Victor Tausk, a Vienese psychoanalyst examines a patient, Miss Natalija A. She tells him that her mind and body are being manipulated by a mysterious electrical apparatus operated secretly by physicans in Berlin.
  • Hauser, Jens. Observations on an Art of Growing Interest: Toward a Phenomenological Approach to Art Involving Biotechnology In Tactical Biopolitics: Art, Activism, and Technoscience, edited by Beatriz Da Costa and Kavita Philip, 83-103. Cambridge:
  • Beesley, Philip and Rachel Machenry and Evelyn Michalofski. ON GROWTH AND FORM: TEXTILES AND THE ENGINEERING OF NATURE, Catalogue of an exhibition held at the Textile Museum of Canada. Toronto: Textile Museum of Canada, 2001.
  • MACHFELD (Sabine Maier | Michael Mastrototaro) Sabine Maier Sabine Maier ist „Photo & Medienkünstlerin“, die nicht nur mit den Medien arbeitet, sondern an den Medien. Seit 1999 ist sie freischaffende Foto- & Medienkünstlerin, die nicht nur mit,
  • Infiltrate -
    In the center of the room, on a riser approximately 5 feet tall, a square fish tank, bare, approx 2x3x4 feet, spotlit from above. Inside swim 6 fat koi fish, one gold, the others white On one wall the video projector displays a computer animated
  • Darker than Night -
    "Darker Than Night" is a telepresence artwork which explores the human-machine-animal interface and telepresence as a means of mediating relations of empathy. In this interactive piece, participants, a telerobotic bat (batbot) and over 300 Egyptian
  • SonoMorphis - video
    ... in the details of their contours,...
  • Lillian F. Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality
  • Roman Kirschner Born 1975 in Vienna, Austria 93-98 studies at the University of Vienna: philosophy, art history 99-04 studies at the Academy of Media Arts Cologne, Germany 01-04 cofounder and member of the artist collective fur. 05 research
  • The performance occurs inside a capsule. We may control the avatar of the performer through a remote computer. The distance between the audience and the performer is set to 7 metres. We may type words, wishes or commands from our keyboard directly