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Suit of Armour
This interactive video installation is a collaboration between myself and Camille Turner. This mediawork is an exploration of the sex, beauty and racial myths which are encountered by a young black Canadian woman and the various conflicting message
Wringer/Washer TV
WRINGER/WASHER TV is a pink, white and chrome wringer washer which has a colour monitor fitted in the bottom of the wash tub facing up. This installation deals with the issue of abortion in Canada, interspersing opinions and arguments with video
Lust and Wanderlust: Sex and Tourism in a Virtual World
1993
Paterson, Nancy. Lust and Wanderlust: Sex and Tourism in a Virtual World Art and Cyberculture, Media Information Australia 69 (August 1993): 7-12.
Curly, Larry and PoMo
2000
Paterson, Nancy. Curly, Larry and PoMo In Vision Ruhr, edited by Westfalisches Industriemuseum Zeche Zollern II/IV and Dortmund Museum am OstwallOstfildern-Ruit: Hatje Cantz, 2000.
FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE
2004
Beesley, Philip and Nancy Yen-Wen Cheng and R. Shane Williamson, ed. FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE. Toronto: Riverside Architectural Press, 2004.
The Medusa Project
THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of
Digital Art in Cuba: Increasing enthusiasm for Digital Art
2002
Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
Choses
2008
Event: ChosesInstitution: National School of Art and Design of NancyComment:
Los Angeles 1955–1985: Birth of an Art Capital
2006
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2006
"Please Sing Along," video of 1974 performance by Nancy Buchanan was included
Feminist Server Stack: co-designing feminist web servers to reimagine Internet futures
2022
Nancy Mauro-Flude & Yoko Akama. Feminist Server Stack: co-designing feminist web servers to reimagine Internet futures 1 (2022): 48-62.
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