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  • The World Pretends to Be Burning
    Rochallyi, Radoslav. The World Pretends to Be Burning Mantis, Stanford Journal , no. 19 (2021): 128.
  • Radoslav Rochallyi
    My artwork is critical of social, political, and cultural issues. My work often refers to European history and especially the present. For the last few years, I have been working on my works in the Visual Mathematical form. I process every idea both
  • Die Beständigkeit der Erinnerung
    Rochallyi, Radoslav. Die Beständigkeit der Erinnerung EXODUS , no. 44 (2022).
  • Selected BIBLIOGRAPHY
    Rochallyi, Radoslav. Selected BIBLIOGRAPHY 31.03.2022.
  • Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English
    Dominique Radrizzani and Ursula Perucchi and Danielle Chaperon and Angelika Affentranger and Alexander Hahn. Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English. Vevey/Switzerland: Musée Jenisch, 2002.
  • MIMI and the Illuminati -
    Upon the invitation of the Lindisfarne Association and the Cathedral Church of St. John the Divine in New York City, a concert of audiovisual mathematics/music took place in the Cathedral Church on 17 October, 1992, at about eight o'clock in
  • Slots of Fun, Slots of Trouble: Toward an Archaeology of Electronic Gaming
    Huhtamo, Erkki. Slots of Fun, Slots of Trouble: Toward an Archaeology of Electronic Gaming In Handbook of Computer Games Studies, edited by Joost Raessens and Jeffrey Goldstein, 1-21. Cambridge, MA: MIT Press, 2005.
  • Vectorial Elevation, Relational Architecture 4
    "Vectorial Elevation" was an interactive art project which allowed thousands of people from 89 countries to control 18 robotic searchlights with 126,000 watts of power and link Cyberspace with Mexico’s most emblematic urban landscape. Mexico City’s
  • Repositioning Fear - video
    Relational Architecture 3 RE:Positioning Fear was the third relational architecture project. A large scale installation on the Landeszeughaus military arsenal with a “teleabsence” interface of projected shadows of passers-by. Using tracking
  • The Trace - video
    "The Trace" is a telepresence installation that invites two participants in remote sites to share the same telematic space. The piece consists of vectors, sounds and graphics that respond to the movement of the participants. Two interactive stations
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