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The Berlin Files
2003
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2003
"You're sitting in a bar. You pull out a book that you just bought to look at, a collection of short stories. Flipping through it you stop on a paragraph describing a dark street in Berlin, a woman in a red dress walks out of a doorway towards
The Traditions of Changes
2014
This collaborative composition consists of 6 movements, leading the listener through a utopian sonic maelstrom in a modern re- interpretation of some sections of ‘New Atlantis’ (Francis Bacon, 1624- 27). Psychedelica, field recordings and abstract
Divers Faits
2010
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2011
The project Divers Faites is built around a photographic series of contemporary still lives. The historic references of the project are situated in the Dutch painting of XVIIth century, which contains a real dictionary of visual allegories developed
Pulsation/Cross-sections
2007
solo
Global Direct
2014
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2014
"Global Direct introduces the idea of direct participation in worldwide governance within the tradition of utopian artistic visions. The artwork is presented as a visionary political program that structures global direct democracy through the
Boca en la red
2009
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2009
video
Boca en la red es una videocreación net.art. El trabajo consiste en la proyección de una boca femenina que sonríe en un movimiento fluctuante. La escena está fragmentada en siete partes y cada una de ellas se mueve independientemente. Al observar la
Novas Imagens da Vida: Realidade virtual e arte genética
2003
Grau, Oliver. Novas Imagens da Vida: Realidade virtual e arte genética In Arte e Vida no Século XXI: Tecnologia, ciéncia e criatividade, edited by Diana Dominguez, 285-303. Sao Paulo, Brazil: Editora UN, 2003.
Bio-logic - Living Structures and Swarm Bodies
2014
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2014
sonja bäumel in collaboration with maurizio montalti (Officina Corpuscoli) mirko daneluzzo & tommaso casucci (Co-de-iT) Waag Society's Open Wetlab WASP self-initiated WORKSHOP AT THE WAAG SOCIETY AMSTERDAM Interactions between Biological and Digital
SP3X
2005
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2006
SP3X is a new type of three-dimensional interface for creating, modifying, and navigating volumetric data. It combines the intuitive and improvisational strengths of tangible interfaces with the visualization power of mixed reality. Users can create
Cultivando o hipercórtex
1997
Ascott, Roy. Cultivando o hipercórtex In A Arte no Século XXI: A humanização das technologias, edited by Diana Domingues, 336-344. Sao Paulo: University of São Paulo, 1997.
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