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In Irvin Kershner's movie "Eyes of Laura Mars" from 1978, photographic artist Laura Mars experiences visions of the murder of her friends and colleagues as seen through the eyes of the murderer. The protagonist of Janet Cardiff's internet

The above image shows Amber Stanza...it cannot be used reproduced in any form without written consent. Public Domain by Stanza Click on image to enter online labyrinth where live CCTV data gets updates in real time across the network to make the

enter project here:artport.whitney.orgScroll down to the bottom of the code to launch its results.Please adjust your Java Security Settings for Whitney Museum Artport, in order to launch the Programme.Commissioned by the Whitney

enter the project here:artport.whitney.orgScroll down to launch ProjectPlease adjust your Java Security Settings in order to launch the Programme.Commissioned by the Whitney Museum.

enter project here:artport.whitney.orgScroll down to the bottom of the code to launch its results.Please adjust your Java Security Settings for Whitney Museum Artport in order to launch the Programme.Commissioned by the Whitney Museum.

enter the project here:artport.whitney.orgScroll down to the bottom of the code to launch its results. Please adjust your Java Security Settings for Whitney Museum Artport in order to launch the Programme.Commissioned by the Whitney Museum.

iSee is an application for web-browsers and PDAs that charts the locations of closed-circuit television (CCTV) surveillance cameras in urban environments. With iSee, users can find routes that avoid these cameras ("paths of least surveillance")

enter project here:artport.whitney.orgScroll down to the bottom of the code to launch its results.Please adjust your Java Security Settings in order to launch the programmeCommissioned by the Whitney Museum.

click here to read the code >click here to launch the project >Please adjust your Java Security Settings for digitalartarchive.at in order to launch the Programme.

HOMEFRONT Surveillance, monitoring, and tracking technologies are not only media of control; they are media of self-reflection and self-awareness. There is a reciprocity between the way that control technologies function and the way that identity