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Kunst aus dem Computer
1967
Simmat, William E.. Kunst aus dem Computer Exakte Ästhetik - Methoden und Ergebnisse empirischer und experimenteller Ästhetik 5 (1967).
BOLGERI & MARÍN
“Our creative processes emerge from affections and expand” BOLGERI & MARÍN is an art duo formed by Carla Bolgeri and Francisco Marín that lives between Chile and Italy where they research and produce in the field of performance, music and
Convergent Landscape: Form and Number
2013
This installation was a singular contribution to the larger multimedia performance Cloud Theatre: Shanghai Odyssey, a confluence of projected images, videos, urban sounds and a dance theatre that took place in the large domed Shanghai Cement Plant
MOBILE NATION: CREATING METHODOLOGIES FOR MOBILE PLATFORMS
2008
Ladly, Martha and Philip Beesely, ed. MOBILE NATION: CREATING METHODOLOGIES FOR MOBILE PLATFORMS. Toronto: Riverside Architectural Press, 2008.
Nameless Acting
2008
Einarrson, Kim. Nameless Acting Geist (methodology issue) (May 2008).
Methodology in VR concept development
2000
Event: Methodology in VR concept developmentInstitution: World@rt, VRCenter NordComment:
Emergences of Continuous Forms
1966
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1966
Emergences of Continuous Forms was one of a series of performances and installations in this period which explored various methods of extending the cinematic image into the space of the viewers and of provoking the viewer's physical
"Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology
2012
Pink, Sarah and Roderick Coover and Pat Badani and Flavia Caviezel and Mark Marino and Nitin Sawhney and William Uricchio, ed. "Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology. Vol.Advances in
Julieta Agriano
(Buenos Aires, 1981) Works as an independent curator and cultural practitioner specialized in the digital and electronic scene. Her actual curatorial research is based on the development of Semiotopías, a neologism and curatorial saga she created as
Diadrama
1974
The Diadrama was an audio-visual performance with over 2000 slides being projected onto a large wide screen by three pairs of synchronised slide projectors. The main themes explored in this work were panoramic methods of representation, the collage
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