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Art a
s a
n Alternative to Education, or, The Rise of the Jam Factory
1972
Ascott, Roy. Art a
s a
n Alternative to Education, or, The Rise of the Jam Factory Art (Society of Canadian Artists) 1, no. 3 (1972): 14 - 16.
Electronic Zen: The Alternative Video Generation
1984
Yalkut, Jud. Electronic Zen: The Alternative Video Generation .
WRO 11
2011
WRO 11: Alternative Now
Alternative Displays Displaying Alternatives
2015
-
2015
Event: Alternative Displays Displaying AlternativesInstitution: MU Hybrid Art HouseComment:
Critical Fusion vs Urban Cosmetics”, “Alternative Futures: Curating Hong Kong”
2015
Event: Critical Fusion vs Urban Cosmetics”, “Alternative Futures: Curating Hong Kong”Institution: Connecting
Spa
ces Hong Kong – Zürich in collaboration with Zurich University of the ArtsComment:
Critical Fusion vs Urban Cosmetics”, “Alternative Futures: Curating Hong Kong”
2015
Event: Critical Fusion vs Urban Cosmetics”, “Alternative Futures: Curating Hong Kong”Institution: Connecting
Spa
ces Hong Kong – Zürich in collaboration with Zurich University of the ArtsComment:
MoneyLab: Coining Alternatives
2014
Lovink, Gerd. MoneyLab: Coining Alternatives. Amsterdam: Institute of Network Cultures, 2014.
Illegal Art and Other Stories
2013
Lodi, Simona. Illegal Art and Other Stories In Unlike Us Reader: Social Media Monopolie
s a
nd their Alternatives, edited by Geert Lovink and Miriam Rash, 250-251. Amsterdam: Institute of Network Cultures, 2013.
Dolltalk
2001
-
2002
In order to give the child the impression that a character is listening to their stories, we have invented a clever mechanism that captures the motion
s a
nd speech of a child using sensor
s a
nd audio processing. Continuing in the vein of re
sea
rch on
The Shows of London: A Panoramic History of Exhibitions 1600-1862
1978
Altick, Richard. The Shows of London: A Panoramic History of Exhibitions 1600-1862. Cambridge, Ma
ssa
chusetts: Belknap Press, 1978.
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