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Data Murmur
2013
-
2013
video
The notable Italian political philosopher Franco "Bifo" Berardi recites a random poem of HTML code twice. First on the left of the split screen the camera maintains its distance allowing the bard to enact the poem, his shock of silver hair melting
Infinite Replay of One’s Own Self-Destruction
2012
-
2013
video
Such is the very essence of this work, which utilizes these various strategies, layered upon each other to create a metaphor about grief and loss. For the stereo speakers can be about brothers, lovers, twins and the destruction of one's mate when it
Resistance is Fertile / Resistance is Futile
2012
-
2012
...SKOR | Foundation for
Art
and Public Domain Two neon signs are superimposed one upon the other. One in green says "Resistance is Fertile", while...
Global Telepathic Broadcast
2009
-
2009
video
...Global Telepathic Broadcast
Art
ist: Warren NeidichComment:
In The Mind’s I Nuwella
2009
-
2010
video
...In the Mind’s I is a one-on-one performative
art
work in which Warren Neidich utilizes visual memories of objects and scenarios of p
art
icipants...
In The Mind's I (Huang)
2010
-
2010
...In the Mind’s I is a one-on-one performative
art
work in which Warren Neidich utilizes visual memories of objects and scenarios of p
art
icipants...
Fetch-a-sketch
1995
Fetch-a-Sketch is a larger than life replica of an etch-a-sketch which functions as a familiar yet unique interface to the Internet -- allowing visitors in the physical space to create drawings and upload them to the Fetch-a-sketch website while
Tele-touch
1996
... took place in May 1996 as p
art
of the "Walk on the Soho Side"
art
exhibition curated by Marc Pottier, an exhibition at Postmasters...
Jackpot
1996
video
Jackpot is an Internet slot machine that downloads three randomly selected web sites and displays them in the browser's window along with their top level domain names. You win by matching any of the top level domains. The winner can submit a URL of
Turnstile I
1997
Turnstile I connected a New York City Subway turnstile in Times Square to an identical turnstile placed in the gallery space. When a person passed through the turnstile in Times Square the arm of the turnstile in the gallery would turn in the
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