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  • Press/Enter: Between Seduction and Disbelief
    Power Plant Contemporary Art Gallery, ed. Press/Enter: Between Seduction and Disbelief. Toronto, CAN: Premier Book Marketing, 1995.
  • Homefront -
    ... with a presumptive suspicion. Everyday actions carry ominous overtones; the stage is...
  • L´exposition comme oeuvre
    Courchesne, Luc. L´exposition comme oeuvre In Muséo-séduction, Muséo-réflexion, , 163-168. Quebec City, CAN: Musée de la civilisation and Service canadien des parcs, 1992.
  • Press Enter: Between Seduction and Disbelief, The Power Plant Contemporary Art -
    Event: Press Enter: Between Seduction and Disbelief, The Power Plant Contemporary ArtInstitution: Gallery at Harbourfront CentreComment:
  • Press Enter: Between Seduction and Disbelief -
    Event: Press Enter: Between Seduction and DisbeliefInstitution: The Power PlantComment:
  • CODeDOC Remediated
    How to view and operate the analytical grid and its several elementsENTER PROJECT HERE:The links will redirect you to the original artworks on the Whitney Museum's Artport (for CODeDOC) or the digitalartarchive.at (for CODeDOC II). Please check
  • Graham Harwood
    Harwood started out as an artist during the 1980s. He was involved with publishing initiatives such as the Working Press (books by and about working class culture); Underground newspaper (a London-based free newspaper aimed at promoting and
  • OBSERVATORY: CARBON NANOTUBES
    Sound-kinetic diorama exterior: acrylic object in crystalloid like form; interior: relief , turntable, light, sound dim: 115 x 72 x 70 cm The kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the
  • Ubermorgen
    ... Übermorgen is the German word for "the day after tomorrow" or "super-tomorrow"....
  • Das Sedanpanorama: Einübung soldatischen Gehorsams im Staatsbild durch Präsenz
    Grau, Oliver. Das Sedanpanorama: Einübung soldatischen Gehorsams im Staatsbild durch Präsenz In Medien der Präsenz. Museum, Bildung und Wissenschaft im 19. Jahrhundert, edited by Jürgen et. al. Fohrmann, 143-169. Köln: DuMont, 2001.
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