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  • Avatar -
    The photos are overlaps of avatars (images used in chat everyone chooses to represent themselves) of people i met chatting. I’ve chosen the virtual world of chat as a meeting place par excellence of contemporary, where everyone can put on fleeting
  • ... the message". It is not what we see, but how we see that...
  • Grau, Oliver. Lembrem a phantasmagoria! Politica da ilusao do seculo XVIII e sua vida apos a morte multimedia In Arte, Ciencia e Tecnologia, edited by Diana Domingues, 239 - 260. Sao Paulo, Brazil: Editora UNESP, 2009.
  • eyesoflaura.org -
    ... Art Gallery and show what is going on there in...
  • How to view and operate the analytical grid and its several elementsENTER PROJECT HERE:The links will redirect you to the original artworks on the Whitney Museum's Artport (for CODeDOC) or the digitalartarchive.at (for CODeDOC II). Please check
  • Ubermorgen is a group of artists in Vienna, Austria, founded in 1999 by Hans Bernhard (founder of etoy) and Lizvlx. Ubermorgen focuses on exploring contemporary legal issues, especially those of security, privacy and copyright. Übermorgen is the
  • Portrait of Eve Clone -
    ... Clone was invisible). What was rarer was that when the...
  • iSee -
    iSee is an application for web-browsers and PDAs that charts the locations of closed-circuit television (CCTV) surveillance cameras in urban environments. With iSee, users can find routes that avoid these cameras ("paths of least surveillance")
  • Power Plant Contemporary Art Gallery, ed. Press/Enter: Between Seduction and Disbelief. Toronto, CAN: Premier Book Marketing, 1995.
  • Homefront -
    HOMEFRONT Surveillance, monitoring, and tracking technologies are not only media of control; they are media of self-reflection and self-awareness. There is a reciprocity between the way that control technologies function and the way that identity