Archive Search

  • Sommerer, Christa. Collaboration between the Arts and the Sciences In Ars Electronica Center - Museum of the Future, , 120-125. Linz: Linz Landesverlag, 1996.
  • Deleage, Jean-Rémi. Premiers pas dans la transparence Sciences et Avenir 591 (May 1996): 82.
  • Diaa Ahmed Mohamed Ahmedien is a lecturer in sciences of visual arts and sciences of New-Media Arts. He is an artist, educator, researcher, and creator to setup systems of artworks, basically depending on the intersection between art, sciences, and
  • Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
  • Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.
  • Leonardo
    Takita, Jun. Leonardo Journal of the international society for the arts, sciences and technology 37, no. 4 (2004).
  • Beesley, Philip. Hylozoic Soil Leonardo: Journal of the International Society for the Arts, Sciences and Technology 42, no. 4 (2009).
  • Hessels, Scott. The Machines Above Us: An Overview of the ‘Celestial Mechanics New Media Artwork proceedings of Mutamorphosis: Challenging Arts and Sciences (2007): 38-39.
  • Roz Dimon has been a leader in digital media painting ever since her oil paintings began to fill with pixels in the 1980s upon arrival in New York City. She's been featured in Forbes Magazine with David Hockney and as eight digital works in the
  • Hiroshi Ishii is the Jerome B. Wiesner Professor of Media Arts and Sciences, at the MIT Media Lab. He joined the MIT Media Lab in October 1995, and founded the Tangible Media Group. He currently directs the Tangible Media Group, and he co-directs