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  • Pam Skelton
    Pam Skelton is a media artist, professor and researcher. Is Professor at Central Saint Martins College of Art & Design and Research Associate at the Photograph and the Archive Research Centre, London. Studied at Southport School of Art Camberwell
  • Stenslie Stahl
    Stenslie Stahl is working on the development of different interface technologies and tools for the digital culture within the fields of art, media and network-research. Lives and works as media artist, curator, scientist and media researcher in Oslo
  • Muriel Waldvogel
    Waldvogel is an architect and a specialist on the senses of perception as they relate to the digital realm. Her work explores the nature of multi-sensory experiencing and expression, with a particular focus on the feelings, emotions, and thoughts
  • schème video
    Two dancers/performers interact with an audio-visual environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play
  • Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception, and Power
    Shanken, Edward A.. Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception, and Power In ISEA´96 - Proceedings of International Society for Electronic Art, edited by Michael B. Roetto, 57-63. Rotterdam, NL: 1997.
  • Artificial Fishes: Autonomous Locomotion, Perception, Behaviour, and Learning in a Simulated Physical World.
    Terzopoullos, Demetri and Xiaoyuan Tu and Radek Grzeszcuk. Artificial Fishes: Autonomous Locomotion, Perception, Behaviour, and Learning in a Simulated Physical World. Artificial Life 1, no. 4 (Summer 1994): 327-351.
  • The "H" in HCI: Enhancing Perception of Interaction through the Performative
    Biggs, Simon and Mariza Dima and Henrik Ekeus and Sue AND Timmons Hawksley and Mark Wright. The "H" in HCI: Enhancing Perception of Interaction through the Performative In Virtual and Mixed Reality, edited by R. ShumakerVol.LNCS 5622. , 3-12.
  • Space and Spectator: Embodied Perception in the Art of Installation
    Berlot, Uršula. Space and Spectator: Embodied Perception in the Art of Installation Journal for the Critique of Science, Imagination, and New Anthropology. Lljubljana: Inštitut Časopis za kritiko znanosti XLVI/274, no. 27-54 (2018).
  • Closing the Loop
    Closing The Loop is the title of a series of experiments, situations constructed and composed to investigate theories of biomechanics and hypercompetition, culminating in a collection of events in September 1998 celebrating the interrelation of
  • Abandoned
    Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent,
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