Archive Search

  • Preliminary documentation of "Through the Vanishing Point" by David Rokeby and Lewis Kaye. The exhibition was presented at the University of Toronto’s McLuhan Program in Culture and Technology (commonly known as the Coach House) for the
  • The project “Magic Eye-Dissolving Borders” is based on the dichotomy between a positivistic participatory communication artwork and the awareness that communication per se can be superfluous and vain. “Magic Eye-Dissolving Borders” aims to challenge
  • Strauss, Wolfgang and Monika Fleischmann. The House of Illusion Extending the boundaries of Space Added Value of Computer Aided Architectural Design 1, no. ISBN 90- 76101-01-9 (Feb 1997): 53-57.
  • Strauss, Wolfgang and Fleischmann,Monika. The House of Illusion: Extending the Boundaries of Space [].
  • Shedroff, Nathan and Ken Fromm, ed. Multimedia Demystified/ Demystifying Multimedia. New York: Random House/ Newmedia Series, 1994.
  • Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
  • Aaron Koblin, creator of the interactive version of House of Cards, on display in the exhibition, is an artist specialising in data visualisation. Koblin’s work has been shown at international festivals including Ars Electronica, SIGGRAPH, OFFF, the
  • Fleischmann, Monika and Wolfgang Strauss. Images of the Body in the House of Illusion In Art@Science, edited by Christa Sommerer and Laurent Mignonnau: Springer, 1998.
  • Shanken, Edward. The House that Jack Built: Jack Burnham´s Concept of `Software` as a Metaphor of Art Leonardo Electronic Almanac 6, no. 10 (November 17th 1998).
  • Tomas, David and David Bergevin. The Encoded Eye, the Archive, and its Engine House .