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  • Karl Sims studied computer graphics at the MIT Media Lab and Life Sciences as an undergraduate at MIT. He currently leads GenArts, Inc. in Cambridge, Massachusetts, which creates special effects software for the motion picture industry.
  • Sommerer, Christa. Collaboration between the Arts and the Sciences In Ars Electronica Center - Museum of the Future, , 120-125. Linz: Linz Landesverlag, 1996.
  • Deleage, Jean-Rémi. Premiers pas dans la transparence Sciences et Avenir 591 (May 1996): 82.
  • Romy Achituv is an experimental interdisciplinary artist whose work engages issues of representation, language, time, and memory. Underlying his practice is an ongoing interest in the language of visual representation and in dynamics of
  • Roz Dimon is an artist who has been painting with a digital brush for over 30 years after her oil paintings began to fill with pixels in the 1980s. Her work in digital media was featured in 1991 in Forbes Magazine with David Hockney and she has
  • Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.
  • Leonardo
    Takita, Jun. Leonardo Journal of the international society for the arts, sciences and technology 37, no. 4 (2004).
  • Beesley, Philip. Hylozoic Soil Leonardo: Journal of the International Society for the Arts, Sciences and Technology 42, no. 4 (2009).
  • Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
  • Hiroshi Ishii is the Jerome B. Wiesner Professor of Media Arts and Sciences, at the MIT Media Lab. He joined the MIT Media Lab in October 1995, and founded the Tangible Media Group. He currently directs the Tangible Media Group, and he co-directs