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  • Multiplicity N°19 -
    These manually created photomontages were created as the basis for an op-art style silkscreen series and its further development as a kinetic object. A black square. Lines without a vanishing point, 119 in number. Phases of a self-portrait. Light
  • SCREEN—SPACE -
    The immersion in virtual worlds has become an integral part of various areas of life that confront us with an altered and expanded reality. The boundaries between physical and virtual space are increasingly blurred. It is this phenomenon that the
  • This series prints show six wire-framed body images of “Eve Clone” in six angles excerpted from the video of “Making of Eve Clone I”. Also, the texts about the “Whore of Babylon” were taken from the Book of Revelation to show the identity and
  • Birth of Eve Clone P -
    The Birth of Eve Clone P is a large-scale projection installation of three Eve Clone images. It shows Eve Clone being placed in a test tube. There, she is slowly cultivated, changing from a draft to a digital wireframe and finally a metallic
  • Strauss, Wolfgang and Monika Fleischmann. Implosion of Numbers: Performative Mixed Reality." In It Works - Architecture as Infrastructure. edited by Eds. Gernot Flachbart and Peter Weibel, Birkhäuser/ZKM, 2005. In n It Works - Architecture as
  • Event: Luc Courchesne : The Visitor : Living by NumbersInstitution: Fundació "la Caixa"Comment:
  • Event: The Visitor : Living by NumbersInstitution: Société des arts technologiquesComment:
  • Drawing by Numbers -
    Drawing by Numbers demonstrates the conversion process from an analogue life drawing to a digital drawing described in code. At a workshop at the Media Space in the Science Museum, London, participants could scan a recently completed life drawing
  • NUMÉRAIRE ET NUMÉRIQUEArtist: Hervé FischerComment:
  • RGB VW -
    This work was conceived in relation to a particular location, a disused automobile factory in Karlsruhe. Such a space is clearly significative of industrial culture. But we are now shifting towards a more immaterial fascination - the media