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  • Tavern Mirror -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 This image is based on a preliminary study for the print
  • Conor McGarrigle is an artist and researcher working at the intersection of digital networks and real space. Coming from a background in net art, his work is concerned with the ways that digital networks are entangled in all aspects of everyday
  • Perhaps -
    This is the first poem written specifically for Internet 2. The poem is a world with 24 avatars, each a different word. Each reader, in order to read the poem, must establish his or her own presence in this textworld through a verbal avatar. As
  • Conclusive Evidence -
    Conclusive Evidence is the title of one of Vladimir Nabokov's novels, which deals with his experience of emigration. In the Russian version, which appeared a few years later, the same novel was called Other Shores. This play on the titles is all the
  • Fau Alexandra. Conclusive Evidence. Marseille, France: Dukan et Hourdequin, 2007.
  • Conclusive Evidence -
    Event: Conclusive EvidenceInstitution: DUKAN & HOURDEQUIN GALLERYComment:
  • Adsum -
    Adsum is a cubic glass sculpture inside of which letters are laser engraved. The letters are positioned one in front of the other, thus forming a spatial poem inside the solid glass cube that can be read in any direction. 'Adsum' means “I am here”
  • A time-based work on decay and energy presented in 6 museum vitrines arranged in a triangle, containing 3 alchemical flasks of acid, alakaline and base each with 3 rods of copper, iron and aluminium connected to 3 old IBM Dos computers, their
  • "We Are Stardust" is a commissioned artwork by the Williamson Gallery at the Art Center College of Design, and the NASA Spitzer Science Center at the California Institute of Technology in Pasadena. The focus of the project is the Spitzer Space
  • Placed in the middle of the Center for Contemporary Art, the yellow canary was given a very large and comfortable cylindrical white cage, on top of which circuit-boards, a speaker, and a microphone were located. A clear Plexiglas disc separated the