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From the digitization of culture to digital culture. De la digitalización de la cultura a la cultura digital 2010

Alsina, Pau. From the digitization of culture to digital culture. De la digitalización de la cultura a la cultura digital Digithum. Las humanidades en la era digital. , no. 12 (2010).
Sue Hawksley

Sue Hawksley graduated from the Royal Ballet School in 1983. She has performed with Mantis, Scottish Ballet Steps-Out, Rambert Dance Company and Philippe Genty, working with choreographers such as Trisha Brown, Merce Cunningham, Richard Alston,
Scatole sonore/Sound Boxes, Palinsesti 2012 2012

Event: Scatole sonore/Sound Boxes, Palinsesti 2012Institution: Palazzo AltanComment:
Heiligenaltar (Altar for Saints) 1998 - 1998

Diplomausstellung
Echo. Neue Medien x Alte Meister 2006

Kunsthochschule für Medien Köln, Der Rektor. Echo. Neue Medien x Alte Meister [].
Pixel, Prints, Pigmente Alte und Neue Medien in der Kunst 1999 - 1999

Event: Pixel, Prints, Pigmente Alte und Neue Medien in der KunstInstitution: Museum of CommunicationComment:
Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer 2015

GEMMA ARGUELLO MANRESA. Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer In PERFORMING CULTURES, edited by JAKUBPETRI, 43-51. KRAKOW: Institute of Philosophy of Jagiellonian University, 2015.
ÜBER_WASSER 2003 - 2003

Event: ÜBER_WASSERInstitution: Alte SchieberkammerComment:
Invisible Cantilever 1996 - 1996

This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
The World Generator / The Engine of Desire 1996 - 1997

The World Generator / The Engine of Desire (1996-present) marks an expansion of Seaman's work into the realm of virtual environments. Seaman collaborating with the programmer Gideon May authored a complex virtual world generator that enables

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