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Seeing Double
2008
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2008
The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
...
Seeing at a Distance: Towards an Archaeology of the 'Small Screen'
1998
Huhtamo, Erkki. Seeing at a Distance: Towards an Archaeology of the 'Small Screen' In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 262-278. Vienna/New York: Springer, 1998.
SEEING - What Are You Looking At?
2016
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2016
Event: SEEING - What Are You Looking At?Institution: Science Gallery DublinComment:
Seedamm-interpretiv center
Seed/Tree interactive audiovisual installation. (Kubus)
2005
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2005
Event: Seed/Tree interactive audiovisual installation. (Kubus)Institution: ZKM - Center for Art and MediaComment:
Seed/Tree
2005
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2007
video
SEED /TREE (2005) Installation/Butoh Performance/Live Electronics This project was created during an “artist in residence” program at the ZKM (Centre for Media Art in Karlsruhe, Germany). Feelings, associations, mental images and spontaneous...
SeeBanff!
1993
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1994
video
SEE BANFF! is an interactive stereoscopic installation. It bears a strong - and intentional - resemblance to an Edison kinetoscope, which made its public debut one hundred years ago in April 1894. It achieved instant popularity, but was short-lived....
See you online!
1995
Zapp, Andrea. See you online! In Jugend auf dem Datahighway, edited by Fred Schell and Bernd Schorb, 62-68. München, DE: kopaed verlags gmbh, 1995.
See No Evil
2021
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2021
SEE NO EVIL is a drawing and text work in the form of a diary. Through a randomizing algorithm, the artist’s fictitious autobiographical text is masked by her original pencil drawings. Twenty-one of these drawings trigger augmented reality animations...
SECURITY IN OUR SOCIETY: WHAT REMAINS OF OUR PERSONAL FREEDOMS?
2015
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2015
make-A-move is an interactive, video installation composed of two encased screens conceived for exhibition in public space. Two animated portraits - a female and a male - react to the movements of passersby and express passivity, suspicion, surprise,...
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381
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382
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1476