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  • DOMINGUES, DIANA MARIA G. As Instalações Multimídia Como Espaços de Dados Em Sinestesia Relações Corpo/ Arquitetura/ Memória e Tecnologias. Coletânea Ccha Cultura e Saber, Caxias do Sul: EDUCS 1, no. 2 (1997): 33-51.
  • Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and
  • Event: HeK (House of electronic Arts) - Basel (Switzerland) / « Earthbound – In Dialogue with Nature » / Curator : Sabine HimmelsbachInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
  • Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
  • Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
  • Event: QUARXS-PiloteInstitution: Galerie Sabrina GrassiComment:
  • Kohso, Sabu. The Thing That Sees: A reflection on "Molecular Informatics" by Seiko Mikami ARTLAB 6, Molecular Informatics – Morphogenic Substance via Eye Tracking (1996).
  • Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga,
  • Lanfranco Aceti works as an academic, artist and curator and is the founder of The Studium: Lanfranco Aceti Inc. He is the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology) and