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  • In "Dislocative Sculptures," Goethe-Institut Second Life Artist in Residence Tamiko Thiel and the United|Dislokations|Kartell (U|D|K) used the unique physics of building in Second Life to create a sculpture that could exist nowhere else. Cyberspace:
  • "Perceptive Dislocations" was a performative event at the Goethe-Institute Island in Second Life. Cyberspace: The Final Frontier. Since 1994 with the advent of the World Wide Web, online virtual 3D worlds promised us endless freedom to be and do
  • Flachbart, Georg and Peter Weibel. Dissappearing Architecture - From Real to Quantum. ISBN-10:3-7643-7275-3, : Birkhäuser/ZKM, 2005.
  • Inertia
    Inertia, 2010-11 | Music Henry Vega | Dance Géraldine Fournier | [Materials] Projectors, Computers, Media Player. Dimensions: 5m x 5m x 2.0m Utilizing the cut-up technique, a methodology commonly associated with the aleatory literary technique in
  • Birds in the Hat (1968), presents an iconic example of an early plotter drawing, a printing technique that allowed for an ink pen to be guided by digital input. Executed using an IBM 7094 computer and a drum plotter, this work mathematically
  • Marcello Mercado CAPITAL -> Case: Files deleted (Das Kapital -> Fall Dateien gelöscht), 1-channel video installation, 03 min. 05 sec., stereo 4:3 colour, 1999 http://vimeo.com/73331069
  • Transfinite 7347 -
    Audiovisual installation at Park Avenue Armory, New York.
  • Neumann, Carolin. Netzwelt-Ticker: Netzkünstler narrt Facebook mit Website-Experiment http://www.spiegel.de/netzwelt/web/netzwelt-ticker-netzkuenstler-narrt-facebook-mit-website-experiment-a-743544.html 02.07.2014.
  • Jaroslav Vančát, Ph.D. New media artist – multimedia art, digital art, computer art, interactive art, visual structuralism, conceptual art, video art Associate Professor at universities in the Czech Republic, new media, visual arts and creativity