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  • La maison sensible (The Sensitive House)
    Scenocosme (Grégory Lasserre & Anaïs met den Ancxt) in collaboration with Lola and Yukao Meet (Lola Ajima & Yukao Nagemi) La maison sensible is an interactive installation that augments the physical space and the relationship between an onlooker
  • reservoir_bots v.2 GameMod vor a VJ -
    in cooperation with various sound artists: Peter Szely, Christof Cargnelli, Electric Indigo --- Resembling a flaneur in an unknown city the bot moves through a "ludic 3D environment" - moved by the hand of the player - robbed of his identity which
  • DEAF 04: Affective Turbulence -
    Theme: affective turbulence, the art of open systems. DEAF, the Dutch Electronic Art Festival, is a biennial international and interdisciplinary festival organized by V2_ in Rotterdam (NL) which showcases crossovers between art, technology and
  • Exercise in Immersion 4 -
    Exercise in Immersion 4 is an ‘art-game’ devised by the Rotterdam media-artist, Marnix de Nijs and further developed in collaboration with V2_lab. His presentation at Deaf 07 saw the 'first public participation trials". Further software refinement
  • A 442 Hz. - video
    Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)
  • Presence, Abscence and Knowledge, in: Telerobotic Art
    Kusahara, Machiko. Presence, Abscence and Knowledge, in: Telerobotic Art In The Robot in the Garden: Telerobotics and Teleepistemology in the Age of the Internet, edited by Ken Goldberg, 198-212. Cambridge, MA: MIT Press, 2000.
  • Can you see me now? -
    Can You See Me Now?draws upon the near ubiquity of handheld electronic devices in many developed countries. Blast Theory are fascinated by the penetration of the mobile phone into the hands of poorer users, rural users, teenagers and other
  • William Kentridge: What will come…has already come -
    Mit der Präsentation neuer Arbeiten – Zeichnungen, Drucke, Stereoskopien und einer 8-minütigen filmischen Anamorphose – schließt William Kentridge sein Engagement als erster Inhaber der Max-Beckmann-Stiftungsprofessur in Frankfurt ab. Kentridges
  • Narcissus' Well: Reflection
    In contemporary times we may ask: is the search for self-knowledge extended and amplified through the medium of digital media? Or, do we find ourselves in a crisis - like that of Narcissus’ confusion or the loss of the soul - in which we can no
  • la huella -
    la huella, 2010 iMac, Quartz Composer, microphone, projector, 200 x 150 cm La huella is a generative work that evolves in a loop of creation, adaptation and destruction. It is a reflection on survival and evolution in nature, a neverending
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