Archive Search

  • Necromedia - Reversed Ontogeny or Posthuman Evolution?. Necromedia—Reversed Ontogeny or Posthuman Evolution? Digital Death: Mortality and Beyond in the Online Age (2014): 181.
  • Water e-Motion: Transformative Views, paper and online presentation by Lila Moore
  • asciiimage -
    ASCIIImage aims at creating an online tool to generate ASCII art from jpg images uploaded by its visitors. This net-art work discusses the intersections of words and images by implementing an algorithm that recognizes luminance of different areas of
  • VENOMENON -
    Based on her continuous research on counterfactual thinking, media artist Elke Reinhuber explores how to present a narrative in a multi-linear manner by fragmenting and dissecting it for the audience. Venomenon was shot in stereo 3D, completely on
  • Collector -
    Collector- a man with an electromechanical street-organ. He walks out to the streets of any city, to any place and just rotates the handle of his instrument. Yet, instead of the repetitious reproduction of the pre-inscribed melodies the street-organ
  • Look Up Bombay is an installation in the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, where visitors to the museum lie down and look up into a dome to view images of ceilings of many of the most spectacular buildings in Bombay. It offers a unique
  • "make-A-move" is a site-specific, responsive, screen-based installation involving two encased flat screens, digital animation, software design, and physical interaction. Two automated portraits - a female and a male subject photographed by the
  • Escribano Belmar, Beatriz. ¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original o del Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as
  • Ellen Pearlman. The brain as a site specific performative space https://tandfonline.com/doi/full/10.1080/14794713.2015.1084810.
  • Pearlman, Ellen. The Brain As Site Specific Surveillant Performative Space International Journal of Performance Arts and Digitial Media 11,Issue 2 (November 2015).