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  • WRO 01: Screens / raise of Cyberspace -
    The leading theme of the WRO 01 Biennale, SCREENS expresses the character of the media art's present state. On one hand it seems appealed by fast development of cognitive horisons and expression of new communication spaces, and on the other
  • Urban Screens Melbourne 08: Mobile Publics
    Event: Urban Screens Melbourne 08: Mobile PublicsInstitution: Fed Square Pty LtdComment:
  • Occupy Wall Screens
    Event: Occupy Wall ScreensInstitution: Arte CreativeComment:
  • Occupy Wall Screens
    Event: Occupy Wall ScreensInstitution: Palais de TokyoComment:
  • Critical Fusion: Fiction Fighting for Reality in the Urban Battlefield
    Event: Critical Fusion: Fiction Fighting for Reality in the Urban BattlefieldInstitution: Symposium Emergent Visions: Adjacency and Urban ScreensComment:
  • Decidophobia - video
    The current quarrel between neuroscientists and moral philosophers about whether there is a free will or only a surrogate thereof provided by the subconscious cannot be settled easily. Instead Elke Reinhuber offers to see for yourself in her work
  • Swarming Lounge video
    Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
  • MEDIA FACADES FESTIVAL EUROPE -
    MEDIA FACADES FESTIVAL EUROPE 2010 will explore the networked possibilities of urban screens and media facades via internet and new technologies on a European level. The format of the MEDIA FACADES FESTIVAL reflects on the increasing presence of
  • SECURITY IN OUR SOCIETY: WHAT REMAINS OF OUR PERSONAL FREEDOMS? -
    make-A-move is an interactive, video installation composed of two encased screens conceived for exhibition in public space. Two animated portraits - a female and a male - react to the movements of passersby and express passivity, suspicion,
  • Swarming Lounge video
    Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
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