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125. Fragment
1990
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1990
A series of portraits by Archimboldo (Seasons, Elements) are digitally interwoven to create a symultaneous montage of their pictorial elements. (A. Hegedüs)
Geo quick response
2012
The Geo Quick Response project proposes to modify and question the representations of the geopark landscape, and also aims at making visitors aware of the more global problems raised by this landscape. By having visitors to interact with the work
Cadence
2022
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2023
Animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain, an endangered habitat now threatened by coastal erosion
Powerbike
2003
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2008
This mutant bicycle, the pedal and gear mechanism of which is made up of a flexible ladder, symbolizes the “seven deadly wishes”. Visitors are invited to climb up to the seat but when they try, the mechanism moves into reverse, turning the user into
Disillusion of a Fish Pond
1967
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1967
Disillusion of a Fish Pond was one of three performances during the exhibition This is no Thing - This is a Situation of Opportunity at the Kingly Street Gallery in London. In this work a naked woman swathed in bandages of cotton-wool was sitting at
Transmission I
2020
(2020, 7” HD video brochure, video loop, sound, 8.26" x 5.82”) Captured while on transit to New York one year ago. I found myself next to a fellow traveler suffering from a severe cold. These days I would most likely start up and run, but at that
Suit of Armour
This interactive video installation is a collaboration between myself and Camille Turner. This mediawork is an exploration of the sex, beauty and racial myths which are encountered by a young black Canadian woman and the various conflicting message
Revelation of Eve Clone III
2013
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2013
... its belly and t
high
s were bronze. (Daniel...
On Location: Kayla Parker
2017
Presentation of digital film as largescale projection with amplified stereo sound from DCP on continuous loop in the cinema, for seated audience; for Plymouth Arts Centre's exhibition programme of artist's moving image (premiere, 10 to 19 January
softchair
2001
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2001
Dynamic seats, behaving like friends, and communicating together to determine a common shape. The research is a part of the reflexion about behavioural design.
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