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  • Between punched film and the first computers, the work of Konrad Zuse.
    Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.
  • Audiovisionaries of the Network Planet
    Cubitt, Sean. Audiovisionaries of the Network Planet In Globalization and contemporary art, edited by Jonathan Harris, 225-236. Malden, Mass.: Wiley-Blackwell, 2011.
  • Ecomedia
    Cubitt, Sean. Ecomedia. Contemporary cinema series, Amsterdam: Rodopi, 2005.
  • The Information Environment
    Cubitt, Sean. The Information Environment In Ubiquitous Computing, Complexity, and Culture, edited by Ulrik Ekman and Lily Diaz and Morten SondergaardNew York: Routledge, 2015.
  • Time in between -
    Time in Between features urban views from both Taipei and Paris. It documents a compressed 24 hours in these two places with 24 locations and 24 Taiwanese people strolling in Paris. By seamlessly overlaying urban images from the two cities at
  • Sean Clark
    Dr Sean Clark is an artist and curator, the Director of Leicester arts company Interact Digital Arts, the Founder of web/mobile developer Cuttlefish Multimedia, a Visiting Researcher at the Institute of Creative Technologies at De Montfort
  • Data Visualisation and the Subject of Political Aesthetics
    Cubitt, Sean. Data Visualisation and the Subject of Political Aesthetics In postdigital aethetics, edited by David Berry and Michael DieterLondon: Palgrave Macmillan, 2015.
  • Toxic Media: On the Ecological Impact of Cinema
    Cubitt, Sean. Toxic Media: On the Ecological Impact of Cinema In Eco-Trauma Cinema, edited by Anil Narine, 231-48. New York: Routledge, 2014.
  • Utopia
    Cubitt, Sean. Utopia In The Encyclopedia of Aesthetics, edited by Michael KellyOxford: Oxford University Press, 2014.
  • Telecommunication Networks: Economy, Ecology, Rule
    Cubitt, Sean. Telecommunication Networks: Economy, Ecology, Rule Theory, Culture and Society 31, no. 7/8 (2014): 185-199.
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