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  • Perceptive Dislocations
    "Perceptive Dislocations" was a performative event at the Goethe-Institute Island in Second Life. Cyberspace: The Final Frontier. Since 1994 with the advent of the World Wide Web, online virtual 3D worlds promised us endless freedom to be and do
  • Number 282 - WHAT MAKES YOU, YOU? -
    Digital Portrait inspired by Matthew Florez: The difference between perceived self, and the rest of the universe.
  • Mirrors of the Unseen (MotU) #7, #8 -
    Light object Series 'Mirrors of the Unseen (MotU)' 'MotU #7' and 'MotU #8', from the series 'Mirrors of the Unseen', feature words and symbols that seem to float in the space like holograms, which observers can only perceive as afterimages using
  • spectra -
    date | place MAY 4 - JUN 20, 2001 Mica Moca, Milan, IT concept, composition: Ryoji Ikeda commissioned by Mica Moca, 2001 spectra is a series of large scale installations employing intense white light as a sculptural material.
  • Ilknur Yalvac
    Ilknur Yalvac is an artist and designer based in Vienna, holding a degree in Digital Arts from the University of Applied Arts Vienna. Her artistic practice is rooted in a deep exploration of the interconnectedness of music history, literature,
  • HINEIN (inwards) -
    HINEIN (inwards) is an invitation to travel inside the world of natural microstructures, combining subtle sounds and extreme close-up images of diverse natural surfaces whose microdimensions are not perceived in our daily life. Both visual and
  • Euopean Media Art Festival 1992
    In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
  • How to Make a Shakespeare Machine
    Shakespeare Machine is a permanent artwork in the lobby of the Public Theater in New York City. It was commissioned by the Department of Cultural Affairs’ Percent-for-Art program and the Public Theater. It was opened to the public in October, 2012.
  • Clouding Green
    The world’s computing power is moving into the Cloud – but where does the Cloud get its energy? A commission for the 2012 Zero1 Biennial and Samek Art Gallery, the artworks for “Clouding Green” are massive augmented reality clouds in colors ranging
  • 'Percepciones ideológicas sobre el fenómeno TICs 2.0'
    Bernardo Villar. 'Percepciones ideológicas sobre el fenómeno TICs 2.0' Universidad Salamanca (2015).
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