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Post Brands
2004
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2004
"This is a triptych of three street art pieces that starred in a poster campaign that took place over several years in a number of European cities. The artworks were printed in black and white on wide format paper or stickers and pasted illegally on
Wheels
2013
video
Installation using real-time computer simulation. When you depict the movement of parts of the human body in a time/value co-ordinate system, you get various wave forms; in the case of repetitive movement, sine waves. During movement, most parts of
The Picture That Ate My Soul
1992
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1993
This piece was created as an interactive 'virtual gallery' in which the user can explore a computer rendition of the gallery in which the computer is housed. It is also possible to depart this space and enter into a number of fantasy spaces,
Metroscopes
2004
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2014
Liverpool city has formalised sibling relationships with a number of other cities around the globe. These arrangements respond to similarities of culture, architecture or commerce and provide a sense of perspective, of a commonality that both
Number 282 - WHAT MAKES YOU, YOU?
2013
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2015
Digital Portrait inspired by Matthew Florez: The difference between perceived self, and the rest of the universe.
FLUflux
2009
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2010
n this project selected for the Visualizar ’09 workshop at the Media Lab Prado, Jihyun Kim and I created an interactive visualization of the correlations between international flight travel and the outbreaks of global diseases during the first
Der Wald
1993
"In the first version of "The forest", made as a computer animation, the image of the forest creates the impression of a three-dimensional space constructed from elements which themselves are only two-dimensional. The basis for the image is a
Animation Number Seven
2002
Animation Number SevenArtist: Tamas WaliczkyComment:
YouTube: time
2008
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2008
Time in Internet era is a flux of data, instead hands of a clock or sand in a hourglass, beat time is given by the number of informations that we receive and broadcast. Here’s how the characteristic red bar of YouTube becomes a piece of a “digital
Suite For Mobile Tags
2009
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2011
Suite for Mobile Tags is a project based on QR-Code (Quick Response Code), which proposes an exercise of random and anonymous collective musical composition. For the implementation of its first movement, there is a set of eight mobile tags embedded
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