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  • dog[lab]01 -
    In this experimental space, seven little chimerical robots are evolving, some animals which have the general morphology of a dog but some have bovine coats provided with horns (mad cow disease?), pork skin (xenotransplantation? unless it’s a cross
  • Hyper Real -
    For her new series “Hyper Reality” Olga Kisseleva has photographed food items stolen by consumers in a supermarket and reconstructed them as still lives. Each photo allows one to paint a portrait. Olga Kisseleva’s historical references are situated
  • Watts, Judy. Experimental Design and Testing of Visualization in Data Mining Profiles in Research, UCSB (2002).
  • Pinches Pelos Dodger -
    Installation, human hair coated with platinum film and engraved with a focused ion beam, test tube, illuminated electron-microscope duratrans print, metal frame, certificate
  • Huhtamo, Erkki. Screen Tests: Why Do We Need an Archaeology of the Screen? Cinema Journal 51, no. 2 (Winter 2012): 144-148.
  • Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.
  • Sacred Code -
    "Sacred Code" is a rumination on three holy texts:The Old Testament, The New Testament and the Koran, as seen through a digital lens. In this new artwork, Napier has created algorithms that read these three books bit by bit, literally reading
  • The 121212 UpStage Festival of Cyberformance took place 5-12 December 2012 and consisted of two parts: - “Walking backwards into the future” – remounted cyberformances from the past 5 festivals (5-11 December) - “Testing – 1 2, 1 2, 1 2” – new
  • Cameron, Angus. Les artistes 100 tetes: Multitext, Xenomoney, Xenospace .
  • Waterwalk -
    The Waterwalk was a 3-metre-high tetrahedron shaped balloon made from transparent (and sometimes coloured) plastic. A watertight zip allowed people to enter and be sealed inside. When this lightweight structure was inflated with air, one or more