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  • Smuggling Anthologies Reader
    Peraica, Ana, ed. Smuggling Anthologies Reader. Rijeka: MMSU, 2015.
  • The aesthetics of the negative; or the negative dialectics of photography
    Peraica, Ana. The aesthetics of the negative; or the negative dialectics of photography Journal of Physics Conference Series 012013, no. 230 (2010).
  • #whataboutyourselfie
    Peraica, Ana. #whataboutyourselfie http://www.whataboutyourselfie.info/.
  • Culture of the Selfie: Self-Representation in Contemporary Visual Culture
    Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.
  • On-line and on-site on equal terms
    Fleischmann, Monika and Jasminko Novak and WolfgangAND Kaliva Strauss and Predrag Peranovic. On-line and on-site on equal terms I3 magazine The European Network for Intelligent Information Interfaces , no. 7 (2000).
  • Postmodern Currents, Art and Artists in the Age of Electronic Media
    Lovejoy, Margot. Postmodern Currents, Art and Artists in the Age of Electronic Media. Second Edition th ed.New York: Perason Education, 1997.
  • Perceptual Arena - video
    Perceptual Arena is a realtime virtual environment. In the default state completely empty, it creates an audio visual space texture as a coding of the user interaction. The interaction is simply to be in the space, to perceive it, to move around and
  • GeoStickies(Unrealized)
    GeoStickies(Unrealized) is a mobile artwork which creates an experience of accessing to information matrix overlapped onto urban space. The information is browsed through WAP/SMS service . Geostickies initiates the mobile phone carriers to be able
  • Mobile Feelings II - video
    Tangible Biofeedback Communication Device Users at the Ars Electronica are provided with specially equipped "Mobile Feelings" phone devices that resemble organic or bodily shapes. These devices host miniature bio-sensors and actuators that capture
  • Mirrors of the Unseen (MotU) #9 -
    Light object The work was conceived for the Printscreen Festival in Holon, Israel. Thinking the internet as a territory and as a field of action, the content of the work addresses matters of social movements, surveillance, algorithms, and
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