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  • Social Formations of Global Media Art
    Cubitt, Sean and Gunalan Nadarajan and José‐Carlos Mariátegui. Social Formations of Global Media Art Third Text: Special issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.
  • The Shadow
    Cubitt, Sean. The Shadow MIRAJ Moving Image Research and Art Journal 2, no. 2 (2013): 187-197.
  • Social Formations of Global Media Art
    Cubitt, Sean and Gundalan Nadarajan and José-Carlos Mariátegui. Social Formations of Global Media Art Third text: Special Issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.
  • Rewind: Artists’ Video in Britain 1970s and 1980s,
    Cubitt, Sean and Steven Partridge, ed. Rewind: Artists’ Video in Britain 1970s and 1980s,. New Bartnet: John Libbey, 2012.
  • Remediating Still Life, Pencils of Nature and Fingerprints
    Hauser, Jens and Paul Thomas. Remediating Still Life, Pencils of Nature and Fingerprints In Relive: Media Art Histories, edited by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT Press, 2013.
  • 8-Bit -
    Popular exhibition of 8-bit technology art featuring Micro Arts 1980s work, showing live generative art, along with 30 prints, displays of 1980s technology such as micro computers, data cassettes, and more. With Sean Clark's interactive audio-visual
  • Telematic Séance -
    The technology involved in "The Telematic Séance" is much the same as "Telematic Dreaming", however the situation is somewhat different. During the production of "Telematic Dreaming" I discovered many aspects of user interaction that I have brought
  • The ideoplastic materializations of Eva C. -
    A Stereoscopic Surround Sound Installation. Work in Progress. The viewer enters a darkened room to discover life size stereoscopic figures that appear to inhabit our own three dimensional space. These phantoms reenact a series of séances held
  • [the clearing] -
    The Clearing is an interactive installation artwork that focuses on the language of American print media's representation of the Bosnian crisis during the 1993-1994 period based on material culled from the archives of the Oakland Data Center.
  • Slippery Traces -
    Slippery Traces is a multi-linear visual narrative in which viewers navigate through a network of over 240 interconnected postcards classified into 24 categories or chapters. The intention of the work has been to explore database structures as a
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