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World Wide VIP
2000
-
2000
Three accessories identify a VIP: his/her passport, cell phone and international credit card. One sculpture condenses these three products into one. To attain this trophy, visitors must take a journey dotted with contradictory messages vaunting the
Breathless
2012
... to the RSS [
web
] feed via computers, and...
Invisible City Excerpt 3.00
2003
-
2006
video
"The work series entitled netropolis is an exploration of the way global cities will develop in the future. Of similar magnitude to the impact of the industrial revolution in the late 19th century, it is now computer networks and the information
Cardinal Directions
2010
video
"Cardinal Directions," 2010 Surveillance monitor,
embe
dded computer, infrared sensors, robotic actuator, slip ring, stainless steel support, custom software, metal certificate 51.1" x 11.8" x 11.8" / 130 x 30 x 30 cm, free-standing sculpture edition
ADA
2010
-
2014
analog interactive installation / kinetic sculpture / post-digital drawing machine
AutoGene
2005
video
AutoGene initially entices viewers with a sense of familiarity, appearing as a simple commodity sculpture. However, this impression is rapidly dispelled - with the push of a button. The circular arrangement of the sculpture, paired with the dramatic
Vic
e Bo
x
2012
-
2014
This very small, pocket size, sculpture allows the viewer to build his own portrait based on his sins and vices.
Pii
2015
-
2015
video
Pii relies on the development of an interactive sculptur
e by
using sets of mirrors, matrices of light and different types of sensors that analyze the environment to computationally generate a light and sound response, ther
e by
creating a variable
Self-Portrait as Another Person
1966
-
1968
video
A predecessor of Lynn Hershman Leeson's influential “Roberta Breitmore” series, “Self Portrait as Another Person” features a wax cast of the artist's face that was made in 1966. Characteristic of similar pieces created by the artist in this period,
Dark Matter
2010
-
2010
video
Dark Matter: The darkened gallery space is dominated by an invisible sculpture of silent sound. Your body probes the space listening for the sculpture's spatial form to be expressed though the sounds of your contact with its immaterial presence.
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