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  • Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given
  • Hong Kong In-Between -
    Hong Kong In-Between Gallery A38 A38 Hajó Budapest Petofi híd, budai hídfo 11 June 2019 - 25 June 2019 Opening: 11 June 2019, 5pm Exhibiting artists John Choy, Linda C.H. Lai, György Pálos, Bianka Parázs, Tamás Waliczky Video screening KVB (Közgáz
  • "Outside-in: exile at home" (2018 - 2021) is an installation by digital artist Annabel Castro. In the installation, using a machine learning algorithm, four classic fiction films are continuously torn apart inside a screening room.
  • Event: The Aesthetics of Trans Media and the Humanities Across Media Platforms: Public Artist Screenings and DialoguesInstitution: Dongguk University and Cornell UniversityComment:
  • Huhtamo, Erkki. Watching the Borders and Peeking Beyond: Astronomical Demonstration Instruments as a Challenge for Screenology Écranosphère 1, no. 1 (Winter 2014).
  • Galapagos -
    Galápagos is an interactive Darwinian evolution of virtual "organisms." Twelve computers simulate the growth and behaviors of a population of abstract animated forms and display them on twelve screens arranged in an arc. The viewers participate in
  • Microwave Media Art Festival 2003 - Hong Kong The "Microwave International Media Art Festival" is an international festival in HONG KONG, which aims to promote cultural exchange and appreciation of new media art. MIMFA - the annual video art
  • Genetic Images -
    Genetic Images is a media installation in which visitors can interactively "evolve" abstract still images. A supercomputer generates and displays 16 images on an arc of screens. Visitors stand on sensors in front of the most aesthetically pleasing
  • Sequences of images were created that freely interpreted the themes of Peter Gabriel's song cycle to provide a continuous visual accompaniment to the live stage performance (Genesis world tour 1975). These slides were projected onto three screens