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  • Sottovoce -
    The title 'sottovoce' is a musical term derived from the Italian "in a barely audible voice, a whisper" and alludes to the whispered and haunting nature of the Sottovoce's voice-over. This menacing evocation of events leading up to a
  • 'LPDT2 : The Second Life of La Plissure du Texte' is the Second Life® incarnation of Roy Ascott's groundbreaking new media art work La Plissure du Texte ('The Pleating of the Text'), created in 1983 and exhibited at the Musee de l'Art Moderne de la
  • A sculptural homage to the helicopter attack scene from the film Apocalypse Now! Duplicate robots dangle from a metal frame, with arrays of black rods joining each of the eight Fedora hats to these machines. The Squadron is in flight formation and
  • BUTTERFLY
    Video projection onto an image on a mirror (video loop, 3′) mirror (110 x 110 cm), foil covering, projection and reflection variable dimensions The video installation Butterfly uses radiological images of the author’s brain responding to different
  • LPDT2 -
    'LPDT2 : The Second Life of La Plissure du Texte' is the Second Life® incarnation of Roy Ascott's groundbreaking new media art work La Plissure du Texte ('The Pleating of the Text'), created in 1983 and exhibited at the Musee de l'Art Moderne de la
  • Weibel, Peter. Das allusive Auge. Illusion, Anti-Illusion, Allusion In Fast Forward, edited by Ingvild Goetz, 10-12. Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
  • SphèrAléas Tridimensional interactive / sound / image installation SphèrAléas is made of a half-spherical structure and of an evolutionary device wich makes man, image and sound interact thanks to digital tools. SphèrAléas is ideal for collective
  • Scott, Jill. Paradise Tossed Leonardo Electronic Almanac 2, no. 3 (March 1994): 8-9.
  • Lozano-Hemmer, Rafael. Perverting Technological Correctness Leonardo Electronic Almanac / Leonardo Art Gallery 29, no. 1 (1996).
  • Hsin Hsin, Lin. Cyberepositories -- for Glory or Myseries? Leonardo Electronic Almanac 4, no. 12 (December 1996).