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Land of Cloud 2017 - 2018

... Cloud. The people there are silent. They communicate not... them in its boughs. If you visit the Land of Cloud, you...
Computer Graphics 1984 1984 - 1984

Computer generated large scale ink plots Indian Ink on Fabiano 300 gsm paper These works were produced using a large scale Interact IV flat bed plotter. A set of abstract images, each measuring 200 x 200 cms. The works were produced by
Repensar o humano em conexões com lugares imaginários 2006

... humano em conexões com lugares imaginários Razón y Palabra ,...
A Cautionary Tale of Urban Media Art: Media-Bait, Planned Censorship and its Repercussions 2018

...Park, S. L. and M. Benayoun. A Cautionary Tale of Urban Media Art:...
A industrialização da educação e as suas repercussões nas artes visuais 2015

Ferreira, Helena. A industrialização da educação e as suas repercussões nas artes visuais Revista Brasileira de Educação e Cultura ISSN 2237-3098, no. 10 (2015): 37 - 46.
Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV 2013

TRAMUS, MARIE-HELENE and Diana Domingues. Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV In France-Brésil : des jalons pour l’avenir : Repères historiques et prospectifs pour des échanges
In Repertoire: A Guide to Australian New Media Art 2003

Gallasch, Keith, ed. In Repertoire: A Guide to Australian New Media Art. Strawberry Hills, AUS: Australia Council of the Arts, 2003.
PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDE 1986 - 1986

Instalação multimídia com néon, gravador e fita cassete, repetindo gráficos de eletrocardiogramas, transcritos no néon, que geram sensações de viver no interior de um coração.
Divisional Articulations 2017

Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, and spawn arrays of
Peter Flemming

Peter Flemming Curriculum vitae, March 2010 www.peterflemming.ca peter@peterflemming.ca all locations Canada, unless otherwise mentioned Artist statement I see what I make as the electromechanical equivalents of short stories. Instead of

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