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  • "Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
  • Vanitas ( in a Petri dish), a series of digital photographs bringing the concept of vanitas into the 21st century. In prior centuries, vanitas paintings warned against the excesses of material culture. Expressing the futility of life and its
  • Benjamin, Solomon. Beyond Dualism into Hybridism - Transforming Politics and Economy via the daily life of Cities / Über den Dualismus hinaus zum Hybridismus - Transformation von Politik und Wirtschaft durch den urbanen Alltag In Hybrid. Living in
  • Stone, Allucquére Rosanne. Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures In Cyberspace: First Steps, edited by Michael BenediktCambridge: The MIT Press, 1992.
  • Stone, Allucquére Rosanne. Virtual Systems In Zone 6: Incorporations, edited by Jonathan Crary and Sanford KwinterCambridge, MA: The MIT Press, 1993.
  • Stone, Allucquére Rosanne. Innocence and Awakening: Cyberdämmerung at the Ashibe Research Laboratory In Technoscientific Imaginaries: Conversations, Profiles, and Memoirs (Late Editions Cultural Studies for the End of the Century, No. 2), edited by
  • Stone, Allucquére Rosanne. The War of Desire and Technology at the Close of the Mechanical Age. Cambridge, MA: The MIT Press, 1995.
  • Sottovoce -
    The title 'sottovoce' is a musical term derived from the Italian "in a barely audible voice, a whisper" and alludes to the whispered and haunting nature of the Sottovoce's voice-over. This menacing evocation of events leading up to a
  • A sculptural homage to the helicopter attack scene from the film Apocalypse Now! Duplicate robots dangle from a metal frame, with arrays of black rods joining each of the eight Fedora hats to these machines. The Squadron is in flight formation and
  • BUTTERFLY
    Video projection onto an image on a mirror (video loop, 3′) mirror (110 x 110 cm), foil covering, projection and reflection variable dimensions The video installation Butterfly uses radiological images of the author’s brain responding to different