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Nastop namišljenega umetnika Ursa Bolda
2019
Grafenauer, Petja. Nastop namišljenega umetnika Ursa Bolda Dnevnik, 23. 11. 2019 (2019).
Between Zero and One
2024
... to resonate
with
contemporary discussions...
Four Questions for George Legrady
2019
...s-for-george-legrady-
with
-steve-thompson/.
Rebecca Allen: El arte interactivo tiene mucho que aprender de los videojuegos
2000
Candeira, Javier. Rebecca Allen: El arte interactivo tiene mucho que aprender de los videojuegos El Mundo - Diario del navegante: Especial Art Futura 2000 (2000).
Building Interactive Worlds in 3D: Virtual Sets and Pre-visualization for Games, Film & the Web
2005
Gauthier, Jean-Marc. Building Interactive Worlds in 3D: Virtual Sets and Pre-visualization for Games, Film & the Web. Burlington,MA/Oxford(UK): Focal Press, 2005.
El Arte del sigo XX: de la Segunda Guerra Mundial hasta nuestros días
1996
Guasch, Anna María. El Arte del sigo XX: de la Segunda Guerra Mundial hasta nuestros días. Madrid, Spain: Espasa Calpe, 1996.
Reflecting on Life on the Internet: Artistic Webcam Performances from 1997 to 2017
2021
Sauerlaender, Tina. Reflecting on Life on the Internet: Artistic Webcam Performances from 1997 to 2017 Self-Representation in an Expanded Field, Ace Lehner (Ed), MDPI, 2021 (2021).
La condición de la imagen digital. Estudios iconográficos para su análisis y clasificación.
2014
Alcalá Mellado, José Ramón. La condición de la imagen digital. Estudios iconográficos para su análisis y clasificación. Icono14. Revista de Comunicación y Tecnologías Emergentes 12, no. 2 (2014): 113-140.
The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind
2018
Moore, Lila. The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind Cybernetics and Human Knowing, A Journal of Second-Order Cybernetics, Autopoiesis and Cybersemiotics 2018, no. 2-3 (2018): 119-141.
FILE BELO HORIZONTE 2018
2018
Perissinotto,Paula & Barreto,Ricardo, ed. FILE BELO HORIZONTE 2018. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2018.
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