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Elastic Fax 3
2005
...Elastic Fax III was realized by p
arti
cipants sending sequential faxes directly from their cell phones to a fax machine in the gallery in São...
Sherrie Rabinowitz / Kit Galloway
...Sherrie Rabinowitz (1950–2013) was an American video
arti
st and a pioneer in satellite-based telecommunications art. She worked exclusively with...
Aaron Koblin
... version of House of Cards, on display in the exhibition, is an
arti
st specialising in data visualisation. Koblin’s work has been...
Holopoetry (Series/Concept) 1983-1993
1983
-
1993
Note from Eduardo Kac: "Please note that it is impossible to convey the readerly interactivity and the spatiotemporal qualities of these pieces on a web page. The documentary images below serve as an introduction to this work. Six different points
Não!
1982
"Não!" is organized in text blocks which circulate in virtual space at equal intervals, leaving the screen blank prior to the flow of the next text block. The visual rhythm thus created alternates between appearance and disappearance of the
Geometria do Êxtase
1982
In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate
Knowbotic Research
... KR+cF has regularly invited people from non-art fields to p
arti
cipate in their projects, such as scientists, philosophers and...
Sachiko Kodama
...The Japanese female
arti
st Sachiko Kodama was born in 1970. As a child she spent a lot of time in the southernmost part of Japan. This area is...
Oco
1985
As the cylindrical form of the three letters spins in space, the letter I appears and disappears, producing the fleeting appearance of the words "o cio" (in heat) and "ócio" (idleness).
IO
1990
Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited
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