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  • Memory Tracks
    Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • Memory Tracks
    Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • Memory Tracks
    Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • Memory Tracks
    Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
  • Allister Gall
    Artist: Allister GallComment:
  • AlloBio
    Organic in the sense that it will become a growing architecture. (source: http://risco3.wordpress.com/2006/05/25/deep-thought/)
  • « D’où venons-nous ? Qui sommes-nous ? Où allons-nous ? », in "Where are you ?"
    Bokhorov Constantin. « D’où venons-nous ? Qui sommes-nous ? Où allons-nous ? », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.
  • Waterwalk -
    The Waterwalk was a 3-metre-high tetrahedron shaped balloon made from transparent (and sometimes coloured) plastic. A watertight zip allowed people to enter and be sealed inside. When this lightweight structure was inflated with air, one or more
  • Emergences of Continuous Forms -
    Emergences of Continuous Forms was one of a series of performances and installations in this period which explored various methods of extending the cinematic image into the space of the viewers and of provoking the viewer's physical
  • Cube
    An augmented reality apparatus allowed the visitors, when looking through its optical window, to see a rotating computer-generated wire frame cube positioned in the real space of the museum. Further developement of this technology allowed stereo-
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