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Ars ex machina
1995
Daniels, Dieter and Anne-Marie Duguet and Bill Seaman. Ars ex machina In ArtIntAct1, edited by Karlsruhe ZKM | Zentrum für Kunst und MedientechnologieOstfildern-Ruit: Hatje Cantz, 1995.
Artistic Dynamic Association
„Die einzige Konstante – ist die Transformation“ ADA – ARTISTIC DYNAMIC ASSOCIATION ada is … Der Raum ist kein unbeschriebenes Blatt, er besitzt eingeschriebene Geschichte. Kein redundanter White Cube, eine Art Kunst-Club, ein Wohnzimmer im Draußen,
Kunst im Gentech-Zoo
2002
Lindner, Martin. Kunst im Gentech-Zoo Gegenworte. Zeitschrift für den Disput über Wissen 9 (Spring 2002): 71-74.
George Legrady in der Kunst- und Austellungshalle Bonn, Deutschland
1998
Dinkla, Söke. George Legrady in der Kunst- und Austellungshalle Bonn, Deutschland Das Kunst-Bulletin 1/2 (Jan/Feb 1998).
Strategies of Intertainment
2001
Ranzenbacher, Heimo. Strategies of Intertainment In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer Verlag, 2001.
Ren Fah
Ren Fah - is a media-artist and researcher working in the field of Cultural Studies/ Critical Theory and Analysis. He received his PhD. in 2011 from the University of Applied Arts, Vienna. Within the frame of his PhD. project he conducted research
Matt Mullican
Matt Mullican is a artist use subjective cosmology strategies to represent the world and the human condition mainly in symbolical related forms . His work often take shape of immersive installations and make use of analog techniques and
The Body/ Le Corps. Zeitgenössische Kunst aus Kanada
1994
Herzog, Hans-Michael, ed. The Body/ Le Corps. Zeitgenössische Kunst aus Kanada. Zürich: Kilchberg, 1994.
EVL: Alive on the Grid
2001
Sandin, Dan. EVL: Alive on the Grid In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 2001.
Polylog. Für eine interaktive Kunst
1989
Lischka, Gerhard Johann and Peter Weibel. Polylog. Für eine interaktive Kunst Kunstforum International (Sept/Oct 1989): 65-86.
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