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Brigitte Neufeldt
Statement Seit Mitte der 90er Jahre des letzten Jahrhunderts beschäftige ich mich mit dem urbanen Raum, Naturphänomenen, dem menschlichen Körper, politischen Themen und virtuellen Welten. Im Rahmen meines Kunststudiums habe ich Werke entwickelt,
Interview - Tamiko Thiel: Venice Biennial Intervention for Manifest.AR
2011
video
This interview was made for the exhibit „Not There“ at the Sabanci University Kasa Gallery, as part of ISEA2006 show UNCONTAINED - an official parallel exhibit to the 2011 Istanbul Biennial. "Not There" is an exhibition of artworks from the
Glow Positioning System
2005
-
2005
There are many ways to "locate" a city, and oneself within it. One way is to distance oneself from it - to look it up in an atlas, a picture, or to go out to sea or up a hill to watch the twinkling lights, and point out the sights we know. Another
Mediaflow
2006
-
2006
video
MEDIAFLOW :BROWSER AAND INSTALLATION 2006 Thoughts in the flow, that's what the Media Flow Interface stands for. The entire content of an archive, here netzspannung.org, is visible at a glance. Parallel streams of images and words run along the
Virtual Striptease
1995
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1995
video
VIRTUAL STRIPTEASE : DISTRIBUTED VIRTUAL STUDIO BROADCAST 1995 For the International Video Art Award ceremony organized by ZKM Karlsruhe and Suedwestfunk Baden-Baden (SWF) in 1995, Fleischmann and Strauss conceive a broadcast with audience
Atlas of Emotions : Journeys in Art, Architecture, and Film
2002
Bruno, Giuliana. Atlas of Emotions : Journeys in Art, Architecture, and Film. London, New York: Verso, 2002.
An Atlas of Small Voyages
2013
Helyer, Nigel. An Atlas of Small Voyages LAND , no. 1 (2013).
Airlight Boulder, Airlight Taipei and Airlight Socal
2007
Event: Airlight Boulder, Airlight Taipei and Airlight SocalInstitution: The Atlas CenterComment:
Atlas oder Orakel? Atlas or oracle?
2016
Becker, Daniel. Atlas oder Orakel? Atlas or oracle? [].
Christina Kubisch
Christina Kubisch was born in Bremen in 1948. She studied music, painting and electronics. Performances and concerts until 1980, subsequently sound installations, sound sculptures and work with ultraviolet light. Numerous grants and awards, such as
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