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Distributed Authorship and Creative Communities
2012
Biggs, Simon and Penny Travlou. Distributed Authorship and Creative Communities Dichtung Digital (online) 41 (2012).
Dislocative Sculpture
2011
video
In "Dislocative Sculptures," Goethe-Institut Second Life Artist in Residence Tamiko Thiel and the United|Dislokations|Kartell (U|D|K) used the unique physics of building in Second Life to create a sculpture that could exist nowhere else. Cyberspace:
Digital98
1998
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1998
ASCI is pleased to give these digital works a venue both online as a permanent online exhibition, and displayed in the Technology Gallery at the New York Hall of Science and then in the Brooks Design Center Gallery at Cooper Union in Manhattan.
DIGITAL POWER: ACTIVISM, ADVOCACY AND THE INFLUENCE OF WOMEN ONLINE
2020
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2020
Event: DIGITAL POWER: ACTIVISM, ADVOCACY AND THE INFLUENCE OF WOMEN ONLINEInstitution: The Wrong BiennaleComment:
Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten
1995
Weibel, Peter. Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten In Mythos Metropole, edited by Gotthard Fuchs and B. Moltmann and W. Prigge, 209-222. Frankfurt/Main: Suhrkamp Verlag, 1995.
Dengue na imprensa local: uma doença em notícia
2016
VELHO, ANA PAULA MACHADO and Diana Domingues and TIAGO FRANKLIN R LUCENA. Dengue na imprensa local: uma doença em notícia Verso e Reverso (Unisinos Online) 30 (2016): 1-9.
Demonstrate
2004
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2004
The project, timed to coincide with the 40th Anniversary of the Free Speech Movement attracted over 4000 online participants from around the world. The resulting archive of 1200 photos and textual comments offers a portrait of public space as viewed
Day of the Figurines
2006
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2006
Day of the Figurines is funded by the European Commission's IST Programme. It is part of the 'City as Theatre' workpackage of the IPerG project, a large European consortium led by Blast Theory, SICS - Swedish Institute of Computer
Davide Bevilacqua
Davide Bevilacqua is a media artist and curator interested in network infrastructures and technological activism, as well as experimental presentation formats for artistic work and research. His current research deals with the environmental and
Dave Everitt
Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. In 2000-2002 this produced two
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