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  • Mannell, Steven, ed. IMAGES OF PROGRESS. Kitchener: Twin City/Dwyer Printing Co. Ltd., 1997.
  • Musique Non Stop -
    Allen created all visual material for the 1986 album Electric Cafe by the German group Kraftwerk including the classic, award-winning music video, Musique Non Stop. This work involved the development of state-of-the-art facial animation software in
  • "Poverty Island with video Skies" is the beginning of an exploration of the integration of video images into a virtual environment. This integration will allow me to combine a long-standing interest in the evocative similarities of the forms and
  • Abominable Abdominal Wrinkles reffers to a Rrose Sélavy´s text: "Abominables fourrures abdominales".It belongs to a series of Writings produced by Duchamp based in the dadaist manner. The video (1 minute) plays with compactation of information
  • Intuitive movements in front of a mirror are banal. Replacing the mirror by a screen showing a similar mirrored image, but filmed and augmented with "transfiction/alized” elements, results in visual interaction, in body movements, which can trigger
  • reWrite
    The focus of an artwork such as reWrite is identity. The work addresses this theme through the use of interactive systems, where the relationship between the viewer and the artwork is explicit and active. This act of interaction functions to raise
  • framework f5x5x5 -
    Framework is a kinetic light sculpture constituted by five modules. Each of these modules is constituted of 5 horizontal and 5 vertical square elements, establishing a grid of 5x5x5 =125 frames. This resolution writing is present in the project
  • Initially this work was developed as a stereoscopic projection for a concert of the Huelgas Ensemble conducted by Paul van Nevel and performed at Zeitfenster Biennale Alter Musik 2002 in the DaimlerChrysler Building, Berlin. In its later iterations
  • Fastabend, Anna. Es regnet nackte Männer Der Freitag (July 2017).
  • In this poem we look straight down at the top surface of a cube. An invisible light source orbits the cube, casting verbal shadows that can be seen gyrating clockwise, much in the manner of a sundial. As new shadows are cast, the letters permutate