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"ETERNAL SHELVES" is Stenger's first Web Based VR work programmed in early VRML 1.0, silent and un-animated. 3D words expressing the most intense emotions in a human history (exile, transe, etc.) are sitting on gray shelves, creating sparks of

Which --- Side Song sculpture for OffCentre, Newcastle City Council projects in the public realm 2006-2007. 'Which Side' is a version of the union protest song 'Which Side Are You On?'. The song is available for download as an mp3 file from

This project explores the value of immaterial production in a virtual world, and if and how this can be transferred into an economy of material production. We have collected a series of immaterial objects produced and owned by inhabitants in the

by Mandeep Raikhy / gati dance Delhi, India Based on the notion of lived experience of architecture in Gaston Bachelard’s Poetics of Space, ‘Inhabited Geometry’ is an ensemble piece that aims to define, architecturally and imaginarily, the idea

... of a little girl becomes the starting point for linking the lives of three women...

A revolutionary Poetry Book, programmed in Web Based VRML and conceived for immersion. Texts translated from "Vite de la Banane", available at the New York Public Library, and the urbana Champaign Library of Illinois. Read by the author. The

... display turns the piece into a tangible part of the architecture of the space. The...

Two people, watching Blind Love Ready Made are sitting, earphones on, in front of their show, generated abstract shapes moving at the rythm of an invisible couple orgasmic vocalizations. This solitary pleasure is only disturbed by the fact to

AMPLITUDE Commissioned by Design Miami for the Fendi flagship store / Rome 2010 Conceived as further experimental research into the principles of the Radius installation, Amplitue concentrates once more on the direct and physical relationship

Two concepts have marked 21st century creation, the metaphysical consequence of which is obvious to everyone, despite their apparent differences. The first is the idea that it is the spectator who creates the picture and the second is that the